One of the categories of literary criticism is the study of intertextual relations, and among the theorists of intertextuality, Gerard Genette's theory has received the most attention. Transtextuality, which is actually the analysis of the text, was first proposed by Gerard Genette. Transtextuality, in five types of paratextuality, intertextuality, supratextuality, metatextuality, and hypertextuality, extensively and systematically examines the relations of a text with its surrounding elements, with the text or texts that preceded it or are contemporaneous with it, and with texts that have criticized and interpreted this text, and takes a step towards confirming or denying it. After the emergence of the Islamic religion, the Quran, as a subtext, became a reference and source for many poets from various perspectives such as eloquence and rhetoric. Omrani Kabuli is one of the Shiite poets of the 13th century Afghanistan who composed his divan by subtexting the Holy Quran as the foundation of his thoughts, each page of which is an expression of the poet's scholarly, religious and religious thoughts. The present study was conducted using a descriptive-analytical method in a library manner. The aim of this study is to examine the intertextual relationships between the Quran and Omrani Kabuli's odes, which were examined based on the theory of Gerard Genette. Undoubtedly, Omrani Kabuli's odes are full of Quranic verses and stories that include both explicit and implicit intertextuality of Gerard Genette