The ordered and poetic appearance of Mubahala in Farsi poetry, as the most imperative cultural media among Persian Muslims, had been absent or rare in sight before the 10th century. In one of the anonymous religious epics in the first of the 10th century, called “Majma-ul-Bahrain”, the poet, Asiri, artistically described the life and wars of the Prophet Muhammad (s.a.a.w) and Imam Ali (Peace be upon him) with 11400 bits. The story of Mubahala was ordered by an authentic, and heroic language in 132 bits in the book. Since Majma-ul-Bahrain has been almost unknown and its manuscript has been maintained in No. 2655 in the Parliamentary Library of Iran, we present the total number of the ordered Mubahala (132 bits) in the article to reveal how the poet, by applying the descriptions and various artistic tools, represented the subtle part of the practical tradition of the Prophet (s.a.a.w) against his deniers. His style is neither tough nor straight like the simplistically historical narrations. Moreover, it did not exaggerate the poetic style in a way that could defunct its historical dimension. To elaborate on his strengths and weaknesses in his art show, we study his poetry style. Meanwhile, his work is compared to a piece of Saadat Nameh’s Nezam Starabadi, and it is found that Asiri by selecting an epic (convergent), and functional weight, instead of imagination in describing, was seen as more successful than the contemporary poets to balance the narration and poetry, indeed.