The Shia’s poem due to its contextual treasure and descriptive types, resulting from the linkage of diverse literary traditions with intellectual, juridical, Kalami, and narrative Shia’s foundations, has been sung in various functions, and approaches of different literary genres. The little search of Shia’s Divans and Jongs, conducted by predecessors, reveals that Shia’s Poem has been able to improve the quantity and quality of poems in Farsi literature in terms of not only appearance but also content. Institutionalizing the reality of Shia’s culture, by utilizing diverse methods, is the aim of different literacies in Shia’s poem. The article is going to define the type of “Mojeznameh” and explain its philosophy, and function. Moreover, by offering some samples of Mojeznamehs from Divans and manuscripts, elaborates and analyzes the structure and content of this type of Shia’s poem. The literary genre follows the footsteps of bibliography and reasoning traditions in which the poet endeavors to prove the miracles of Prophet Muhammad (s.a.a.w). The usage of the internal narrator, citation, adding to specifying the location of the event, and different kinds of questions and addresses, are among the tricks, used in Mojeznamehs, to invite the reader to listen to the conversation of the narrator or poet, and brush up the validity and credibility of the narration.