The time factor in Narrative Science is one of the new knowledge in contemporary literary criticism, and the French Gerard Gent, as the most successful theorist in the Narrative Time, constructed his theory on “order, durability, and frequency”. Furthermore, Julia Kristeva is of the idea that by analyzing the Narrative Time, and the time of the text, we can split the time of narrative stories into Memorial, and Linear Scheduling. Admittedly, in terms of character, the text is shaped dramatic and narrative respectively by Linear and Memorial Scheduling. The research, targeting at explaining the time, Linear, and Memorial Scheduling, by applying the descriptive-analytical approach, discuss the novel “Dakhil Eshgh”, written by Maryam Basiri, and shows that this work is critical due to the citations and time jumps in the framework of Gent’s theory, and Linear and Memorial Scheduling of Kristeva. The result demonstrates that the novel is adaptable with Gent’s theory of time, and Kristeva’s theory of Linear Scheduling because of time jumps, and making use of elimination in the velocity of a novel. Time and place return, and time rotation of the story to its first stage (veterans sanatorium and the Imam Reza shrine), are indicators of Memorial Scheduling in this narration.